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Frank Gehry loves to sketch. It is the beginning of his architectural process. From Gehry’s sketches flow the models, one after another, each a refinement, that will eventually become finished buildings unlike any others in the architectural world. It is this sketch quality, what he calls the “tentativeness, the messiness,” that Gehry clings to as a way of guarding against formula or repetition. And it is this sketch quality that Sydney Pollack was so keen to explore in the film SKETCHES OF FRANK GEHRY.
